French painter and writer, and a member of the Symbolist and Les Nabis movements
His theories contributed to the foundations of cubism, fauvism, and abstract art.
Maurice Denis (1870-1943) was one of the original members of the Nabis group of self-styled artistic prophets, joining with Pierre Bonnard, Xavier Ker Roussel, and Edouard Vuillard. The chief theoretician of the group, his "Manifesto of Symbolism" (1890) insisted that whatever else a picture is, it is "essentially a flat surface covered with colors assembled in a certain order," an important precursor of abstract art, although he was far more interested in finding the divine in the everyday. Many of his later works are devotional images.
Life and work
Childhood and Education
Maurice Denis was born November 25, 1870, in Granville, a coastal town in the Normandy region of France. Waters and coastlines would remain favorite subject matter throughout his career, as would material drawn from the bible. For such an avant-garde figure, Denis had a surpisingly broad religious streak, writing in his notebook at age fifteen, "Yes, it's necessary that I am a Christian painter, that I celebrate all the miracles of Christianity, I feel it's necessary." The Denis family was affluent, and young Maurice attended both the École des Beaux-Arts and the Académie Julian, where he studied with the French figure painter and theorist Jules Joseph Lefebvre.
At the Académie, he met painters and future Nabi members including Paul Sérusier, Pierre Bonnard; through Bonnard he also met the future Nabis Édouard Vuillard and Ker-Xavier Roussel. In 1890, they formed The Nabis. They chose "Nabi" (Hebrew for "Prophet") because they understood they would be creating new forms of expression. The group would split apart by the end of the decade, and would influence the later work of both Bonnard and Vuillard, as well as non-Nabi painters like Henri Matisse.
After Les Nabis
Denis went on to focus on religious subjects and murals. In 1922, he published his collected historical and theoretical work as "Nouvelles théories sur l’art moderne, sur l’art sacré"—that is, "New Theories of Modern and Sacred Art." It is difficult to imagine another French artist capable of such a combination.
The subjects of his mature works includes landscapes and figure studies, particularly of mother and child. But his primary interest remained the painting of religious subjects.
Denis was among the first artists to insist on the flatness of the picture plane, one of the great starting points for modernism, as practiced in the visual arts.
In his famous proposal for the definition of painting, offered in 1890, he stated: "Remember that a picture, before being a battle horse, a nude, an anecdote or whatnot, is essentially a flat surface covered with colors assembled in a certain order."
In 1898, he produced a theory of creation that found the source for art in the character of the painter: "That which creates a work of art is the power and the will of the artist."
Denis married his first wife, Marthe Meurier, in 1893. They had seven children, and she would pose for numerous Denis works. Following her death in 1919, Denis painted a chapel dedicated to her memory. Two years later, he married again, to Elisabeth Graterolle, and fathered two more children.
Denis died in Paris of injuries resulting from an automobile accident in November 1943.Read More